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Concrete - Karate
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[00:54.03]Reticent she returns to the streets
[00:58.5]Where she once floated above in hospital sheets
[01:06.36]Hands on the walls where small handprints still weigh
[01:11.729996]With the burden of crimson indelible paints
[01:18.87]Where are the hands that once fit these young prints
[01:24.45]What have they grabbed at ever since
[01:32.97]Nights used to be dangerous here
[01:37.59]But now the mornings have exceeded her deepest fears
[01:46.2]Because that's when the concrete creeps in
[01:51.270004]And perpetrates with more than the greatest sins
[01:58.770004]And weighs down on what used to be known as the neighbourhood
[03:01.5]Deliberate slow destructive defeat
[03:06.93]As new corners consolidate the neighbourhood streets
[03:14.25]Where are the ones who she stepped with right here
[03:19.98]Below the bar now a bank clad with anonymous steel
[03:27.06]Where are the sounds of the children once heard
[03:33.24]Replaced with new parking and yellowed out curbs
[03:41.07]Now she can only afford to return
[03:45.93]For a doctor an in law or a day in the sun
[03:53.04001]Some still cling if the building still stands
[03:58.26]Some sing liberation from felonious hands
[04:05.49]But most will get lost in new peripheral sprawl
[04:10.62]Where new handprints signify on old concrete walls
[04:19.64]Florescent excuses for light
[04:32.25]Steal all the shadows from the nights from the nights
[04:43.26]Parody or progress
[04:48.72]You just want to tear it down
[04:55.65]As you're standing right in the middle of the wrong side of town
[06:27.66]Florescent excuses for light
[06:39.81]Steal all the shadows from the nights from the nights
[06:50.88]Parody or progress
[06:56.28]You just want to tear it down
[07:03.21]As you're standing right in the middle of the wrong side of town
[00:58.5]Where she once floated above in hospital sheets
[01:06.36]Hands on the walls where small handprints still weigh
[01:11.729996]With the burden of crimson indelible paints
[01:18.87]Where are the hands that once fit these young prints
[01:24.45]What have they grabbed at ever since
[01:32.97]Nights used to be dangerous here
[01:37.59]But now the mornings have exceeded her deepest fears
[01:46.2]Because that's when the concrete creeps in
[01:51.270004]And perpetrates with more than the greatest sins
[01:58.770004]And weighs down on what used to be known as the neighbourhood
[03:01.5]Deliberate slow destructive defeat
[03:06.93]As new corners consolidate the neighbourhood streets
[03:14.25]Where are the ones who she stepped with right here
[03:19.98]Below the bar now a bank clad with anonymous steel
[03:27.06]Where are the sounds of the children once heard
[03:33.24]Replaced with new parking and yellowed out curbs
[03:41.07]Now she can only afford to return
[03:45.93]For a doctor an in law or a day in the sun
[03:53.04001]Some still cling if the building still stands
[03:58.26]Some sing liberation from felonious hands
[04:05.49]But most will get lost in new peripheral sprawl
[04:10.62]Where new handprints signify on old concrete walls
[04:19.64]Florescent excuses for light
[04:32.25]Steal all the shadows from the nights from the nights
[04:43.26]Parody or progress
[04:48.72]You just want to tear it down
[04:55.65]As you're standing right in the middle of the wrong side of town
[06:27.66]Florescent excuses for light
[06:39.81]Steal all the shadows from the nights from the nights
[06:50.88]Parody or progress
[06:56.28]You just want to tear it down
[07:03.21]As you're standing right in the middle of the wrong side of town
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